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The earliest known musical notation dates back to around 2000 BCE in ancient Mesopotamia, using cuneiform symbols to indicate pitch and rhythm on clay tablets.
The modern five-line staff was invented by Guido d'Arezzo around 1025 CE, replacing earlier systems and making music 10x easier to read and teach across Europe.
John Cage's 'Organ²/ASLSP' has a performance duration of 639 years, making it the longest musical score ever written, with the current performance in Germany started in 2001 and scheduled to end in 2640.
Beethoven's manuscript for his Ninth Symphony contains over 400 corrections and revisions, with some pages so messy that scholars needed decades to decipher his true intentions.
Mozart famously composed the overture to 'Don Giovanni' in just one night before its premiere in 1787, with the ink still wet when musicians sight-read it during the performance.
Bach's BWV 1045 was lost for 275 years until a single manuscript copy was discovered in a private collection in 2005, proving that thousands of scores still remain missing from classical archives.
In the 13th century, some sacred music scores used red ink for special liturgical notes and black for regular notes, creating beautifully illuminated manuscripts worth millions today.
Researchers at Stanford University etched Mozart's 'Eine Kleine Nachtmusik' onto a surface smaller than a grain of salt in 2009, making it the world's tiniest musical score at just 0.3 millimeters.
The score for 'The Rite of Spring' (1913) was so rhythmically complex with its irregular time signatures changing 35 times in one section that it caused a riot at its premiere in Paris.
The first printed music score appeared in 1501 when Ottaviano Petrucci published his 'Harmonice Musices Odhecaton,' requiring triple-impression printing and reducing music copying time from weeks to hours.
A single page of Mozart's handwritten score sold for $372,500 at auction in 1990, while complete original manuscripts by famous composers can fetch over $5 million.
The 1960s introduced graphic notation where composers like Cornelius Cardew created scores looking more like abstract art than traditional music, with shapes and colors replacing standard notes and staffs.
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